God on a Wing: Winter Rewilding Nature Altar
Setting up a seasonal nature altar within your home is a meaningful way of attuning to the sacred rhythms of the natural world. This post will inspire a craft that will have you engaging with key elements within the Rewilding Wheel.
Our family keeps a nature altar, a way to not only bring the out-doors in, but to also attune our senses to the phases of the seasons, the beauty of the natural world, and as a portal to the deep wisdom that resides in the wild. This sacred space has taken up various iterations in the years we have done this practice. When the household was generally filled with very little people, these silks were piled high with sticks and stones; every item outside was a treasure and little hands begged that every one was brought indoors. To an uneducated heart, this space would have looked like a random pile of rocks, but to us it was our Ebenezer. Our collection of nature was our stone of help—a waymarker that provided direction and clarity to our sacred belonging to and with the Earth community. This pile dynamically grew through the year, representing so many different journeys and encounters with awe and wonder.
Now that half of my children have their toes in teen-hood, this space is taking up more thoughtfulness and creativity. Furthermore, we are using this altar to mark our seasonal journey through the Rewilding Wheel. This has given a bit more focus and direction, and invites our family to pay attention to particular theophanies (God-showings) within the natural world.
The Rewilding Wheel is a sacred circuit that seeks to locate the wisdom of universal nature symbols with one’s particular homescape and spiritual formation. By locating the psychospiritual patterns found within the natural world to a particular place, the ancient wisdom inherent in the cardinal directions and elements takes on a practical shape and invites a focused seasonal practice. In this way, the Rewilding Wheel is unique as it invites a sacred process of remembering and recovering relationships within various ecosystems throughout your bioregion. This is a practice of sacred bioregionalism—where the particularity of our place educates our soul and brings us closer to Spirit that resides there as well.
The Rewilding Wheel was developed to be an integration of critical aspects of the cycles and seasons of nature that would bring one into a deep sense of belonging within their particular bio-regions. This is a move from an ego-centric posture on the planet to an eco-centric one where one’s whole identity is rooted and interconnected with all of creation. This posture requires sensory participation and deep paying attention to the phenomena that is going on about one in their surrounding landscapes.
“To be rooted is perhaps the most important and least recognized need of the human soul.”
-Simone Weil
For those of you practicing this sacred circuit, we know that the season of Winter is associated with the cardinal direction of North, the element of Air, and the bioregion of the Mountain or High Place. This is a time of deep darkness that is held in tension with the lightness of breath, bound to the found-wisdom that is associated with mountain tops and high places. A symbol for this season is that of the bird, a being who rides the wind currents and alights in high places with ease. This is the season of the work of the Spirit, who breathes inspiration and insight into our souls.
This wheel invites seeing the Sacred with sensuality, an embodiment through the elements that gives form and shape to that which has been traditionally transcendent. The Spirit is air. The Judaeo Christian cosmology tells a story of when God breathes air into the lungs of the first human being (“then the Lord God formed adam from the dust of the ground, and breathed into his nostrils the breath of life, and adam became a living being”; Genesis 2:7). The Hebrew word for this primordial breath of life (ruach, or pneuma in Greek) also means Spirit. God’s Spirit is God’s breath, signaling the sub stratosphere itself. All that we and all other beings need for survival, is the animating power of the Sacred in our midst—God swirling and whirling around us, making all things live. The research and study of ecotheologian Mark Wallace in his book When God Was a Bird: Christianity, Animism, and the Re-Enchantment of the World (2018) looks at how the Spirit is generally figured as a winged animal, a bird. His claim is that within this tradition is an animistic understanding of God, that the divine actually is visible, enfleshed, incarnate even through the more-than-human world. This idea of a winged bird God is something I am meditating on and allowing to work on me in this Winter season. Pair this holy avian form with the mystery of the mountains during these dark and dormant months, and my goodness! There is a treasure trove of wisdom into which to huddle.
We have been putting together our Winter Nature Altar slowly following Epiphany last week and the closing of the Christmas season. Guiding this practice are the thematic elements found within the Rewilding Wheel. We have all been making these stone feathers—what a fun way to play with the form of mountain and air!—and wanted to share this seasonal altar craft with you.
I’m grateful to the artist Marisa Redondo for this inspiration within the pages of Nature Art Workshop (Quarto Publishing Group, 2018). This was the seasonal wild-craft offered to registrants of the Winter Rewilding Retreat as well. Such beautiful stone feathers were created!
This simple stone design reminds us of the primordial presence of the mountains and high places in our bioregion, and how this location is often associated with wise-people and sages. Pairing it with the intricate beauty of the feather is a mediation on God as a feathered bird and the belief that all beings, including more-than-human animals, are imbued with divine presence.
Feather Stones
1. Go outside and find a rock that seems to speak to you. Ask the rock permission to take it home. This is a great reason to intentionally go out to the mountains or local high place to find a rock or stone!
2. Gather your materials: stones, craft paints, matte varnish, paint brushes and paint pallet. We chose white, light blue, light green and a gorgeous gold (a precious element found deep within mountains!) for our paints and love the use of wax paper for our palette. While you work, listen for birdsong outside your window, or the sound of the wind in the trees. See this as a sacred presence around you while you create this item for your seasonal altar.
3. Apply a thin and even layer of varnish to your rock. Once dry, paint a thin line centered on your rock with a small round paintbrush.
4. Paint a feather tuft outline around the centerline.
5. Paint V-shaped lines to divide the feather into sections.
6. Fill the tip of your feather with fine lines.
7. Create a triangular shape within the feather by painting two lines in each section.
8. Fill the area outside the triangles with fine, feather-like lines.
9. Add dots or embellishments along triangular border.
White-Eyes
BY MARY OLIVER
In winter
all the singing is in
the tops of the trees
where the wind-bird
with its white eyes
shoves and pushes
among the branches.
Like any of us
he wants to go to sleep,
but he's restless—
he has an idea,
and slowly it unfolds
from under his beating wings
as long as he stays awake.
But his big, round music, after all,
is too breathy to last.
So, it's over.
In the pine-crown
he makes his nest,
he's done all he can.
I don't know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—
which he has summoned
from the north—
which he has taught
to be mild, and silent—
thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird
that loves us,
that is asleep now, and silent—
that has turned itself
into snow.
Spring Rewilding Retreat: Rising Up Rooted Like Trees
I am engaging in a Rewilding Year, a year of prayers and practices to reconnect myself to the natural wisdom cycles of the natural world. With ancient nature symbology as my guide, I locate these associations within a particular bioregion, a landscape that both holds these sacred correspondences and invites one into a deep soul exploration within them. Read on to discover with me what the forest revealed in this Spring time location!
In May I went away on my personal Spring Rewilding Retreat out east in the lowland forests of the Cascade Mountain range. This was a set-apart time to lean into Rainer Maria Rilke's wisdom when he said,
“If we surrendered
to earth’s intelligence
we could rise up rooted, like trees.”
What wisdom, what sacred intelligence lay rooted within the soil and with all of the forest community? What guidance might I receive from Creator through the meant-for-ness of this place? This is what I sought after as I made ready for time away in the woods.
Its important to note that this practice is not just all prayers and serene postures; it is just as much about play! So, with this invitation to play in mind, I found a little treehouse I could book and play I did! Simply climbing up into the holding and nesting branches of the tree that held my lodging reminded me of my child-self. Equal to the wisdom sought in the interconnections of the Spring season; Eastern cardinal direction; and the element of Fire (correspondences which find their alignment within the ancient Celtic tradition), was the curiosity of my child-guide. I have discovered that this internalized version of my girlhood-self has become a guiding voice that speaks to me in the way that she so longed to be spoken to so many years ago. It is her that says, "Climb that tree! It will be fun and you are strong and brave and can do it!" She is also the one that deeply remembers the transformative power of the woods, for she is the one who drank the nourishing milk of the faerie tales and myths and reminds me of their powers. So, I followed her when she excitedly invited me into the transformative power of the trees with the rallying cry, "Into the woods!"
For three days I was immersed within the folds of the forest. I stayed within a little treehouse at Tree House Point. Unbeknownst to me, there is quite a following of this place due to its popularity gained through a reality television series on tree houses. So, when I was asked at registration if I was there because I was a fan of the TV show, I said no, "I'm here on a rewilding retreat!" I think we all were refreshed by new perspectives! In spite of its niche popularity and fan base, this was the perfect location to lean into the glory and magnificence of this particular bioregion.
“The corresponding symbologies that are in play during this Spring season are ones that invite one into their birth and their becoming. Ancient Celtic wisdom associated creativity and new life with Springtime, East and Fire.”
These themes of emergence are strong within the sacred meanings within these associations and invite one into a soulful journey that leaves the hearth and home of the Winter Quadrant; this quadrant is an invitation into the powerful transformational qualities of the forest, the location where all the nature symbols become embodied. This is the landscape where conversion occurs and those childhood faerie stories began to work their magic on me once again. Within their mossy and tendrilled tales were characters who were transformed by the woods and all who they encountered there. I was in need of renewal, the imaginal, the creative force that sparks up new life. Within this forest I would find the flame of sacred inspiration!
My treehouse was aptly called "Nest," and here I felt held up high above the forest floor, able to watch and witness life from the overstory. Birds beckoned from within the walls of my small woodland dwelling and without; I was eye to eye with blue jay, robin, wren, and chickadee. Within these walls (and throughout the Spring season) I read, and such glorious writers and works align with this bioregion! John Muir, David Haskell's The Song of Trees, Sean M. Conrey's The Book of Trees, Dr. Qing Li's Forest Bathing (the Japanese art and science of shinrin-yoku), Richard Power's The Overstory, and Peter Wohlleben's amazing work, The Secret Life of Trees all acting as my guides, coming alongside the deep indigenous wisdom that understood the sacredness of trees, affirming their place within cosmologies, with the emerging science that shows how truly intelligent and sentient these beings are. This To the Best of Our Knowledge podcast on The Secret Language of Trees was also a delight I listened to several times. Other writers were more akin to a soul-guide for me, leading me into my inner-terrain and teaching me how my soulscape would grow from encounters with grief, especially when confronted with ecocidal evidence of colonialization and conquering mentalities and histories. Bill Plotkin, Francis Weller and Mary Reynolds Thompson all offered language to infuse the this landscape with sacred meaning and soulful growth. From this arbored place of learning, reading, and writing I would emerge; descending to the adventure that awaited on the forest floor as I followed the metaphoric crumbs through the woods towards my longing and belonging
“In the forest much is sensed and not always seen.”
I took long walks in the woods, these wanderings inviting solitude and aloneness. This time was completely different than being lonely or alienated from everything else. This was a time to allow my senses to tune in to the relationships that surrounded all of me fostering connection. For beneath me was the vast networks of mycelia, roots reaching to form familial connections that pass nourishment, information, and care along. Above me were the family trees: branches and trunks that told of storied and wise mothers, offspring, and the deep desire to be and behold. And all around me was the feeling of literally being transfused with veriditas, the greening power of God. This bioregion began working its deep and rooted truths on me. Within the wooded canopy you stay with questions, not the quick answers. Its not about racing through the trees to a finish line for there is no straight forward way in the woods. These timbered halls echo with the meaning of the journey, offering circuitous paths and passages, the wandering the value, the walking revealing universal truths. An authentic life will not travel the well-worn road traveled by many. Here a different worth is weighed. Eco-spirituality writer Mary Reynolds Thompson talks bout how the forest teaches that "No longer is expediency, efficiency, and uniformity most prized." Rather, here in the the wild our soul awakens to the creative impulse and power that resides within the Spirit of a place, "a place that thrums and thrives with creativity, authenticity, and diversity."
Once one begins the journey of wild soul discovery, there is a distinct divergence from popular paths; the trailhead allures and assures of something more, something deeper, something transformative. An authentic life leads to the woods and one's metaphorical red cape and basket of goods for Granny become the very things that ensure radical change.
Beside all of this vibrancy and evidence of new life there appeared a shadow-side. There was a demand to remember the past that cut and clawed, crushing the indigenous life that flourished here for thousands of years before white European settlers laid their severe and severing claim. Beside every second generation old growth tree was the old growth one that was cut down, viewed only for its value as a resource; seen not as something sacred, but as a storehouse of wealth and power. I felt deep sorrow for the ancient groves that no longer stood and grief for the leveled and logged life, felled by the axe and saw. Hear me well, I did not move through these woods with disdained judgment and pious partisanship. No, this was a tension I held and attempted to stay in. A tension held between two poles, one hand holding the pole of indigenous wisdom and traditions, and the other the pole of Western modernity and capitalist claims of unlimited growth. Between these two places, within this tension, is the high seat of Spirit, that holy presence that can look to the past with discernment and empathic wisdom and to the future with a hope for flourishing and regenerativity. By staying present to both the past and the possibility, I felt I was able to tap into the place, growing roots that tapped into listening to the sacred and holy intelligence of this forestscape, leaning into the historic complexity of the recent history here too. My hope became an enflamed imagination for what this second growth forest could be if allowed to grow undisturbed for 200 years, allowing the tree canopy to grow and increasing in biodiversity. The nurse logs and decaying stumps, while evidence of a slaying, also are the nourishing sites for life!
I traveled through the forest valley, created and carved by the ancient presence of the lower Snoqualmie River, which cascades in a flurry of 276 feet of sacred force known as the Snoqualmie Falls. Snoqualmie Falls is a nationally significant cultural site of great spiritual importance to the Snoqualmie Tribe, whose people traditionally inhabited this valley, hunting wildlife and collecting plants and fish. For the Snoqualmie Tribe (sdukʷalbixʷ), the significance of Snoqualmie Falls can be understood through the cosmological legend of Moon the Transformer. The story was recorded by anthropologist Arthur C. Ballard (1876-1962) in the early 19th century, as related to him by Snoqualmie Charile (sia'txted) (b. ca. 1850). This story was formed from this place, the earth manifesting into language and legend in unique particularity. Confronting the violent history of conquering colonialism comes unbidden as the commercializing of this sacred falls into a utility and recreational source cannot be ignored. This is complex and intersectional, I understand. However, what happens when we strip away the sacredness of the Earth is a removal of personhood, the essence that gives a being rights, voice, and story. I'm not advocating for appropriation of indigenous stories; I am asking that we learn from these stories that percolated up from this landscape. Listening to the numinous within native tales is to give the land its tongue again, and then it is our work to listen and learn from her language.
“Remember the earth whose skin you are...”
We weren't placed on the earth, we emerged out of the earth. Indigenous cosmologies, creation origin stories, emphasize the interrelatedness between our natality and the nourishing and numinous topographies of Earth. The Hebrew Bible creation story within Genesis chapter two is no different. Even in this indigenous Christian myth there is an explicit connection to humanity being formed of the earth: "then the Lord God formed man from the dust of the ground, and breathed into his nostrils the breath of life; and the man became a living being" (Genesis 2:7 New Revised Standard Version). This is not mere dust, this is humus, the nutrient rich dark soil created when leaf litter (duft) covers a forest floor, creating a thick layer of humus. In addition to the plant material in leaf litter, humus is composed of decaying animals, such as insects, and other organisms, such as mushrooms. These ancient myths capture something of vital importance: the landscape is our ancestor, our kin. Mary Reynolds Thompson says it this way, "Four billion years of Earth's wisdom are embedded in your cells. It is time to awaken to the whole magnificent geography of your soul."
We are formed out of the earth and our bodily composition mirrors the interrelatedness. Not only do our physical forms find mirroring traits and characteristics of the earth, but we discover that these topographies image something of our soul too. Ecotheologian and cultural historian Thomas Berry says, "Beyond our genetic coding, we need to go to the earth, as the source from when we came, and ask for her guidance, for the earth carries the psychic structure as well as the physical form of every living being upon the planet." (Dream of the Earth, 195). There is a psycho-spiritual connection we feel in various landscapes. This resonance informs where we are actually from (our own indigenous heritage); what may be the location of our current soul formation; and it may also inform an inner-landscape that is our actual soulscape, our inner nature that mirrors features of the outer world, or outer nature. Within this sacred and soulful ground is where we and Earth meet, expressing ourselves to one another and offering amplification for one another as well. The forest not only teaches me not only about itself, but even more about me. There is an inherent connection between not only our physical bodies and the earth, but also our psyches. These bioregions restore lost or exiled aspects of ourselves and in the rediscovery of ourselves, in our re-membing of ourselves to Living Earth and the great community of things who make up life on this planet, we begin to participate in restoring the earth as well.
I have discovered that while all Earth's sacred landscapes speak to and through me, I resonate most with the woods. I find I long for the shelter of the woods over the comfort of other bioregions. Within the towering timber I find myself deeply at home, able to express myself in my meant-for-ness. The forest is not just external or extrinsic although I literally love to be in the woods. It is also archetypal. The forest is a place of being lost, finding one's way, roots, emerging strength, creative and nourishing energy, and sometimes (most times) it involves the process of even being found. I have come alongside Dante in the famous opening lines of his "Divine Comedy":
“In the middle of the journey of my life,
I found myself in a dark wood;
for the straight way was lost”
Forest Rewilding Practices
Within the 140 pages of the Waymarkers Rewilding Workbook, you will find many invitations to prayers, practices, rites and rituals that will assist in your tuning into the natural world. This sacred setting is no less than our soul's resonance with the natural rhythms and seasonal movements found within the natural world. I find that as every new quadrant of the Rewilding Wheel begins, I am more than ready to learn and lean into the lessons contained within the corresponding bioregion. This Spring I delighted in all things Fire, Forest, and Flowering. It truly felt like the embers of the anima mundi were catching the tinder of the forest duft, sparking my creative imagination and inspiring me to walk into the metaphorical woods, wandering into the mythopoetic text of transformation. There have been many new ideas that have been birthed in this season, sacred life being formed that will begin to take on shape in the requisite work and production time of the Summer quadrant of the Rewilding Wheel. I look forward to sharing these in the season to come!
Following are a few of the personal practices I engaged with to deepen the forest mood in me, and cultivate a daily awareness of how this particular landscape expresses the Holy and becomes a sacred messenger as well.
With the sacred symbolism of Fire within this Eastern Springtime quadrant, I wanted to play with fire this season. I engaged the challenge of learning how to make fire with a bow-drill, an ancient fire-starting method that is more about relationship and rhythm than ever even getting a fire started. Again, even in this act, I was learning about how this season and bioregion is about holding the question not rushing towards the answer. My son, an eager and natural carver, willingly assisted me with the creation of the bow-drill. We are grateful to the good folk at Taproot Magazine who provided a very helpful and meaningful tutorial on this practice.
A thread that binds together the energy of the Fire and the Forest is found within the idea of inspiration. Forests help the world breath, and they have the capacity to inspire us as well, a word that comes from the Latin spiritus-breath. We use our breath to bring an ember to life and to live as a flame. We talk about a spark lighting up our imagination. Both the imagination and inspiration are the fertile ground in which new ideas emerge, a forest floor full of seed life and nourishing root systems, awaiting the light of the most primal life force, the sun, to awaken it and it bring it into form. Within the forest we witness the universal truth that we rise only when rooted.
By bringing these seasonal and nature symbologies together into a bioregion, the Rewilding Wheel, the sacred circuit that guides these practices, aims to reroot oneself back into the rhythms, wisdom, and patterns that create this planet and our own flesh, feelings and ways to connect to the Sacred.
This past season I loved the sensual experience of cedar. By infusing my lava stone amber necklace every morning with cedar essential oil, I was offering myself the blessings of the trees. This scent carried itself with me all day so no matter where I was, I had an unconscious connection and access to the health benefits of being within the forest. I would even add a drop to my face cream ensuring that I was anointed with this woodland oil!
I also would light a tea candle in my essential oil diffuser (this copper oil diffuser is the one I use daily for my morning rituals), adding cedawood oil while facing East, saying prayers of gratitude for the emergence of a new day and for that great big flaming fire ball that is the origin of all life. It really became a favorite time of the day to gather in my senses and orient them to this season and bioregion and attune my senses to how God speaks through these elements.
When I placing the oil within the beads of my necklace or my oil diffuser, I would offering up this simple prayer:
Creator God who makes yourself known through the tall and resilient strength of the cedar tree, bless to me this day. May my life be like medicine to those who are hurting, nourishment to those who are hungry, and warmth to those who may need shelter and clothing. May I grow rooted in your wisdom, like the cedar grows rooted in the soil, so that I too may rise within your strength. Amen.
Drinking delicious cups of fir tip or source tea became another meaningful ritual this past Spring. Bright lime green and tender needles burst with new life and amazing nutrients, truly what my body appeared to be desiring after the cold and dark winter. This cup of liquid vitamin C and electrolytes was medicine for the Coast Salish peoples, and is still enjoyed today for its vibrant characteristics. There are many ways to enjoy fresh fir or spruce tips, but truly mine was in a steaming cup of water with lime and my dad's honey. I am fortunate that I'm able to forage these tips locally within my homescape, and I hope that you too can engage in this practice that demands a knowing relationship with your forest friends. Please do forage responsibly and honorably; do no harvest tips from trees that have been sprayed or treated with herbicides and honorably harvest with a deep sense of gratitude and reciprocity. Take the time to introduce yourself to the tree and express gratitude for the gift of food and medicine she is providing.
You can prepare a hot tea by taking a handful of spring tips per 3-4 cups of boiled water. Cover and let steep about 10 minutes. Add lime (or even a stick of cinnamon!) and honey to taste.
