Pilgrimage Demands Your Presence

Iona is sacred land and people make pilgrimage here to soak of these stories, hoping that something of this sacred soil will stick and have a profound impact on their personal lives.  And my hunch is that there are many more sacred sites all around us, even in our own urban neighborhoods, if only we would pay attention.  

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I facilitate pilgrimage journeys to Iona, Scotland and in the Pacific Northwest for individuals who respond to The Call to engage transformational travel as a means to recovering a sense of the sacred within themselves and the natural world.  Every retreat participant with whom I have worked has felt the deep uprooting that occurs when the call to go is upon them and are relieved and refreshed by this ancient practice and a profound place that demands action, questions and a quest for answers.

Iona provides all the trappings of a good pilgrimage: historical significance, a saintly presence, a continuous line of faithful heritage, and a requirement to travel there with intention.  Moreover, Iona is the historical birthplace of the Celtic Christian tradition and so by going here, I invite conversation and attentiveness to the numinous natural world that surrounds us, and of which we are fundamentally apart.  One of the key themes of this unique stream within the Christian faith is that nature is revelatory. 

The early Celtic church had a fundamental belief in the revelatory nature of the created world.  Every tree, blade of grass, and wild goose’s cry was imbued with the Spirit and spoke to the character of the Creator.  These “theophanies” –God showings—were expected and sought after as a way to understand the sacred mysteries.  The ninth century Irish teacher, John Scotus Eriugena believed that God was the ‘Life Force” within all things. 

 
Therefore every visible and invisible creature can be called a theophany”
— John Scotus Eriugena, Periphyseon-The Division of Nature, 749D
 

The entire created world upholds something of the essence of the Creator.  Eriugena also taught that there are two primary ways in which the sacred is revealed–the Bible and creation: “Through the letters of Scripture and the species of creature…” mysteries of God are revealed.

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The particularities of a place subsequently became both a sacred messenger and a storied record of divine encounters.  Many important religious sites in Celtic lands are notable because of the presence of standing crosses.  These great, free-standing, three-dimensional or ‘high’ crosses often stood in replacement of even more ancient pillar stones that stood to testify and link heaven to earth.  This was a primal way of place-making.  By naming a place through the placement of stone, or more notably, through tale-saturated titles, the Celtic people affirmed how important the natural world was to their experience with the numinous.  Sacred legends associated with landscapes abound in Celtic country, and are often the narratives that bring people back to and into nature.  

The island of Iona is storied land, tilled with tales immortalizing meetings with angels, prayer practices, and marking the journeys of those who have come before.  Annie Dilland points out in “Teaching a Stone to Talk” that holy places have been disappearing rapidly since the Enlightenment, and our contemporary dislocatedness affirms this. “God used to rage at the Israelites for frequently sacred groves.  I wish I could find one…. Now we are no longer primitive; now the whole world seems not-holy.”  However, Iona is sacred land and people make pilgrimage here to soak of these stories, hoping that something of this sacred soil will stick and have a profound impact on their personal lives.  And my hunch is that there are many more sacred sites all around us, even in our own urban neighborhoods, if only we would pay attention.  

The Celtic way of pilgrimage paid attention to place, understanding that God was revealed through the natural world and even through the hospitality of the stranger.  When we travel with a pilgrim’s pace, we embrace the perspective and values of the Divine.  Charles Foster holds that a journey will challenge you to engage critical aspects of the divine through:

…life on the edges; indiscriminate and costly hospitality; solidarity with the marginalized (most of the nomad’s time is spent outside main centers and in the company of peripheral people); intimate relationships with humans and the environment; a new view at every step; and the loosest possible hold on possessions.
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This was a way of living, of moving, and of arriving to a place that required radical engagement.  It entreats the individual to live into communion with the seasons, the elements, the natural world and other humans.  The journey becomes the medium by which meaning is made and relationships are maintained. 

Pilgrimage demands we pay attention, sensing messages for our inner journey through the faces with whom we share the sidewalk, as well as the environment that surrounds us.  We awakening to the culture of a place when we pay attention to the potential of interactions with both the seen and unseen world.  And this is where I sense the profound gift Celtic spirituality and its propensity to journey have for our modern cities today.  This stream of spirituality both honors wandering and seeking out a new special place with the challenge to find renewal through an attachment to place.  This attachment to a place comes through knowing its stories and noticing its strangers as portals of profound meaning and connection.  However, this kind of noticing requires unplugging from our devices and engaging in our new places with our senses.  It means tapping into the collective memory of a place through our bodies.  The smells, sights and sounds of a place will reveal much about its stories—stories that induce knowledge and love of the land, the culture that co-habitates here, and the Creator who exists in and in between these places and its people.   

When one sees more of a place, (these are the bits and pieces: birds and benches, angles and alleys, weeds and woods) because of one’s experiential sense of it, it allows us to plunge into a posture of permanence because we are enabled to gauge the true significance of what we gaze upon. This kind of seeing is akin to what the early Christians meant when they spoke of theoria, that was a way of seeing into the heart of reality that sometimes revealed the very face of the divine. Or like what the poet Gerard Manley Hopkins meant when he spoke of “inscape,” the luminous, utterly singular texture of a thing that emerges with blazing clarity when a person actually looks upon that thing with care and sensitivity. Pilgrimage requires all senses as it depends on our sensory selves to receive and transmit divine messages in the here and now. It is nigh impossible to have an I/Thou encounter based on particularity and receive its sacred import if podcasts and screens overwhelm our sensing selves. This capacity is often grown by practicing the pace and posture of pilgrimage so that when we return home we are able to “see into” all that is there and all that is yet missing.

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Iona: Getting There Well

The journey itself to Iona makes this place unique; it is long, quite complicated and even relatively uncomfortable for the urbanite who is accustomed to quick and easy travel. This distance provides the perfect pilgrimage process, for it truly requires a removal of oneself from all that is familiar and supplies a lengthy trek-full of obstacles, no doubt! Once there, one finds a sparsely populated island, with almost no cars and a large abbey, whose structure appears to have dropped from the heavens onto this topographically small and relatively insignificant place. Sheep outnumber the residents and the sunlight plays on the hillsides in the most magical ways. One senses almost immediately Iona is indeed a "thin space" – that brushing up against the Divine is inevitable.

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The journey itself to Iona makes this place unique; it is long, quite complicated and even relatively uncomfortable for the urbanite who is accustomed to quick and easy travel. This distance provides the perfect pilgrimage process, for it truly requires a removal of oneself from all that is familiar and supplies a lengthy trek-full of obstacles, no doubt! Once there, one finds a sparsely populated island, with almost no cars and a large abbey, whose structure appears to have dropped from the heavens onto this topographically small and relatively insignificant place.

Sheep outnumber the residents and the sunlight plays on the hillsides in the most magical ways. One senses almost immediately Iona is indeed a "thin space" – that brushing up against the Divine is inevitable.

It takes time to get to Iona. To start your pilgrimage preparations, think about the itinerary in two parts: TRAVEL TO OBAN and OBAN TO IONA

By Train

Trains travel regularly from Edinburgh (Waverley Station) and Glasgow (Queen Street Station) to Oban. This spectacular journey (one of the top rail rides in the world!) takes approximately four hours and the train terminal in Oban is next to the ferry terminal for the Isle of Mull.

Rail Enquiries: Tel: 08457 484950. Scotrail (Trains)www.scotrail.co.uk

By Bus

Buses depart from Edinburgh (St. Andrew Square) and Glasgow (Buchanan Street Station) and go directly to the Station Road stop in Oban. The route takes approximately four hours-make sure to pack a snack!

Bus Enquiries: Tel: 08705 505050 or visit www.travelinescotland.comScottish Citylink (Coaches)www.citylink.co.uk

By Car

From Edinburgh take the M9 to Stirling, then the A84/A85 to Oban. From Glasgow take the A82 up the side of Loch Lomond to Crianlarich, then the A85 to Oban. If you are travelling from the north of Scotland the A82 will take you from Inverness to Fort William, then take the A828 to Oban.

Disabled Passengers

For assistance on the railway ring Scotrail (Tel: 0845 605 7021).

Recommended accommodations for your overnight in this seaside town

Oban Youth Hostel

www.syha.org.uk/hostels/highlands/oban.aspx

Harbour View Guest House

A lovely and affordable B&B in Oban within walking distance from the train and ferry.

Dilys McDougall at dilysmcdougall@aol.com

Tel: 011-44-1631-563-462 Harbour View Shore Street Oban, Argyll PA34 4LQ

Ferry Service to Mull

The ferry from Oban to Craignure on Mull takes forty minutes. Walk on passengers should arrive within an hours time of departure, and make sure to give yourself time to pick up a fresh seafood sandwich at a local fish monger booth near the ferry-delicious! Cars need to check in at least thirty minutes before departure and advanced tickets is strongly recommended during the summer season and public holidays.

Ferry enquiries: contact the ferry operators Caledonian MacBrayne (Tel: 08705 650000) or visit their website www.calmac.co.uk

Across Mull

Tour buses will pick up passengers in a lot just off of the ferry departure area and bring them to the ferry terminal at Fionnphort; these bus times generally coincide with the Mull and Iona ferries. There is a sweet little gift shop and restroom facilities to visit-if there is time before the bus departs!

It takes approximately one hour to drive across the Ross of Mull from Craignure to Fionnphort, where the ferry leaves for Iona. Visitors cars are NOT allowed on Iona, but there is free car parking at the Columba Centre in Fionnphort, minutes from the ferry terminal.

For bus enquiries: Tel: 01631 566809 or visit www.bowmanstours.co.uk orwww.travelinescotland.com or Tel: 01546 604695 or Email: public.transport@argyll-bute.gov.uk

Ferry to Iona

The bus will drop you off at Fionnphort. There is a ten minute passenger (walk-on only) ferry that crosses the Sound of Mull landing at the pier in the village of Iona. In the Winter some ferries need to be reserved the day before travel.

Telephone the CalMac Craignure office on: 01680 612343 or visit www.calmac.co.uk/destinations/iona.htm

Disabled Passengers

For assistance on the ferry ring your departure terminal: CalMac Oban (Tel: 01631 566688) or Craignure (Tel: 01680 612343).

You have arrived to Iona, the place that has called to you! Savor your arrival.

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Iona Pentecost Pilgrimage: An Island Between Heaven and Earth

The Sacred Island of Iona is riddled with fables, legends and lore.  Around every bend you encounter places that are linked to a history deeper than our own and stories that reverberate with both the whisking wind and the beat of angels wings.  While we came here keenly aware of the mysteries that shroud this island, our time on Iona was strengthened by opportunities to pull apart the veiled sacred sagas and see behind the curtain the very real people and relationships that have curated all that Iona is known for today.  

A set on the stage of "An Island Between Heaven and Earth"
A set on the stage of "An Island Between Heaven and Earth"

The Sacred Island of Iona is riddled with fables, legends and lore.  Around every bend you encounter places that are linked to a history deeper than our own and stories that reverberate with both the whisking wind and the beat of angels wings.  While we came here keenly aware of the mysteries that shroud this island, our time on Iona was strengthened by opportunities to pull apart the veiled sacred sagas and see behind the curtain the very real people and relationships that have curated all that Iona is known for today.  From our geology lecture and field study, to tours of the Abbey and Staffa Island, this intimate isle grew up and out of its misty myths into a very real place.  A place that is governed by the same laws of nature as my residential address: indeed, my feet, under the authority of gravity, stayed on the ground here on Iona in the exact same ways they do at home.  And the people here, they grocery shop and eat too; it isn't all miraculous maritime mana dotting the countryside perpetually available to the sacred souls musing about.

No, this is a real place.  A harsh, isolated place.  A place where in the winters one could go mad for a spot of sun.  But it has also always been a place for which people have longed.  A place where pious pilgrims prevailed, and where nobles and kings are entombed.  It is a place of heart-aching beauty that has inspired the very real people behind the legends to come here and be about something greater than, and beyond, themselves.

Cast of An Island Between Heaven and Earth, Alistair Rutherford, Iona Community
Cast of An Island Between Heaven and Earth, Alistair Rutherford, Iona Community

And so it was with George Fielden MacLeod, Baron MacLeod of Fuinary, a Scottish soldier and radical reverend who believed the ruined medieval Abbey stones cried out to him to rebuild their resplendence.  While this man's eulogy is the stuff from which tales are told, in 1938 he was a young captain emerging from World War I with a profound sense of God and a disillusioned notion of politics.  His awareness for social justice was as real as the grit and grime he saw daily on the faces of the unemployed in Govan.  But what is indeed legendary about this man was that he responded to the visions of a restored Iona Abbey, and a transformed church that would reconcile people and denominations from all over the world, a church that would become the Iona Community.

This clarified sense of Rev. MacLeod and the beginning's of the Iona Community was offered to us by means of theater and a fantastic troupe from Cutting Edge Theatre Productions.  Within the Iona Village Hall, we were given the gift of insight to the conditions that created the context of the rebuilding of the Abbey.  We laughed at the well written jokes and jests between volunteer men, present to this dream despite their social class dichotomies.  We were cut to the quick with the very real stories that occurred on this soil so that we could be afforded the luxury of comfortably lighting a candle in the sacred beauty of the Iona Abbey.

Written by Alistair Rutherford, "An Island Between Heaven and Earth" presents the story of George MacLeod's dream to transform stones into splendor and to reform the Church of Scotland in the doing so.  And, it worked!  His maverick methods caused many to question the social norms of the time and to work towards ecumenism and social justice.  To this day, the Iona Community continues to provide resources and relevant assistance to global issues of inequality and justice, while also providing a place to where people can gather in community, learn together and participate in worship.

This play provided the perfect reminder that when we come upon sacred sites and pilgrimage places, it is because something not only fabled and fanciful occurred, but something very real happened there.  And most likely something very hard-the kind of hard that pushes back on the status quo and demands something different.  The kind of real and the kind of hard that are flanked with reconciliation and transformation.  George MacLeod called Iona a “thin place”, with only “a tissue paper separating heaven and earth.”  I can't help but believe that this kind of place occurs when the visions for what it means to live on earth come into alignment with what living is like on the other side.  Now, this is the stuff of legends that I want to surround myself!

Bravo, Cutting Edge Theatre Productions, bravo!

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An Island Between Heaven and Earth, Alistair Rutherford, Iona Community
An Island Between Heaven and Earth, Alistair Rutherford, Iona Community
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Iona Pentecost Pilgrimage: Island Journey

The pilgrimage around Iona visits places of sacred significance and historical importance on the island.  There are 18 sites in all and can take nearly all day to get to each one.  Our group broke the pilgrimage up in a few days-hitting the Abbey's specific spots while we did our tour and hiking up Dun I on a quiet afternoon-so that we could enjoy the heft of the hiking down to the south end of the island to really spend some meaningful time at St. Columba's Bay and enjoy the reflections at holy sites along the way.

Bless to us, O God, The earth beneath our feet, Bless to us, O God, The path whereon we go, Bless to us, O God, The people whom we meet.
— Based on an old prayer from the Outer Hebrides
Bay at the Back of the Ocean
Bay at the Back of the Ocean

 

The pilgrimage around Iona visits places of sacred significance and historical importance on the island.  There are 18 sites in all and can take nearly all day to get to each one.  Our group broke the pilgrimage up in a few days-hitting the Abbey's specific spots while we did our tour and hiking up Dun I on a quiet afternoon-so that we could enjoy the heft of the hiking down to the south end of the island to really spend some meaningful time at St. Columba's Bay and enjoy the reflections at holy sites along the way.

Columba's Bay
Columba's Bay

I watched our band of pilgrims prayerfully hike the path that Columba, his followers and 1450 years of seekers have sojourned.  While not adorned in the medieval garb of the traditional pilgrim (full length tunics, broad rimmed hats, staffs and satchels), their water proof pants and jackets, knit caps and thick ankled hiking boots carried the seeker-spirit of modern day pilgrims on this Sacred Isle.  While not barefoot, our blistered, bone-tired and boot-sore feet carried us over sacred pebbled beaches and peaty bogs.  We jumped and leapt from rock to rock, attempting to keep out of the muck, as we made our way to the 17th century remains of the Iona Marble Company’s marble quarry, a site that demands acknowledgment of humanity’s exploitive behaviors and pleads for a change in global values and lifestyles.

Scripture verses that speak of Christ as our rock became more than just metaphor as we discovered that we very much needed the consistent presence of the rocks to keep our feet out of the mire.  This island journey was clearly emphasizing and highlighting Celtic and pilgrim-ways of seeing.  Without the physicality of the outside world to underscore these Biblical truths, these Christian metaphors would be weak words and flimsy fables.

columba'spebbles
columba'spebbles

The early Celtic church had a fundamental belief in the revelatory nature of the created world.  Every tree, blade of grass, and wild gooses cry was imbued with the Spirit of God and spoke to the character of the Creator.  These “theophanies” –God showings—were expected and sought after as a way to understand the sacred mysteries.  The ninth century Irish teacher, John Scotus Eriugena believed that God was the ‘Life Force” within all things, “…therefore every visible and invisible creature can be called a theophany” (John Scotus Eriugena, Periphyseon-The Division of Nature, 749D).  All of the created world upholds something of the essence of the Creator.  Eriugena also taught that there are two primary ways in which the sacred is revealed--the Bible and creation: “Through the letters of Scripture and the species of creature…” mysteries of God are revealed.

The historical significance of Iona was underscored as we hiked this island pilgrimage; sacred sites emphasized how very near the works of God are all around us.  We were also reminded that we walk the pilgrim path together; we are not alone as we seek God’s guidance in our lives.  The road is filled with pilgrims who are seeking after inspiration and transformation, seekers who long for and are called by the saints who have gone before us.  And, as a mutual company, we are challenged to live forward in ways that bring about restoration to others and our earth.

heather
heather
labyrinth
labyrinth
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